The
Holland I Conservation Project in Detail
1. Introduction
Holland 1 the Royal Navy’s
first submarine, built in 1901which is part of the Core Collection of the
National Historic Ship Register, was originally recovered from the seabed in
1982. In 1993, after eleven years of open air display at the Museum, it became
apparent that chloride sponsored corrosion was causing the rapid deterioration
of the boat. The Museum recognized that a sophisticated conservation package
was needed if the vessel was to be preserved for the long term. The
conservation process outlined below began in 1995 and was completed in June
2001. At the outset the project was supported by the PRISM Fund and for the
construction of the new gallery the Museum received an HLF grant of £671,000. The first phase of the project was
led by the Director of RNSM, the second by the Curator. The principle
conservator was Ian Clark. Conservation advice was received from the following
people and institutions:
Peter Lawton
& Alan Johnston, Hampshire County Museums Service; Hazel Newey, The Science
Museum; Dr Des Barker, University of Portsmouth; the late Chris O’Shea,
freelance conservator, formally of Portsmouth Museums Service. Additional corrosion
analysis was also carried out by UMIST and Southampton University.
The project had
two distinct phases:
• Remedial intervention, which involved
soaking the submarine in a passive electrolytic solution in order to facilitate
removal of chloride ions
• Preventative, through the preparation of the
submarine for re-display and at the same time the construction of a
de-humidified gallery in which to house the submarine in an environment of less
than 40% R/H
Phase 1 - Remedial Treatment
The soaking of the Holland I took place between 1995 - 2000. The methodology of the process was well established with respect to archaeological and marine artifacts, however the treatment of an historic object the size of Holland I was a major departure from what had gone before. A process typically carried out on the laboratory workbench had to be literally scaled up thousands of times. Set out below is some of the key features of the process:
a. the submarine was deemed to be too fragile
to move or dismantle without risking further damage, so a sophisticated purpose
built GRP tank was constructed around the boat. This structure was a triumph of
ingenuity and civil engineering skill.
b. solution circulation was recognized as
essential to ensure the effective removal of as much chloride as possible. A
tailor made fluid distribution system was designed to circulate all 800,000
litres of electrolyte around the submarine. This capillary system had to be
kept free flowing at all times, and on one occasion required the insertion of
Royal Navy divers into the tank to service it.
c.
the tank had to be drained and re-filled with new solution on three
occasions in order to maximize the amount of chloride being removed. Active
electrolysis and core sampling were both used to measure progress within the
tank, and after five years of treatment residual levels of chloride were deemed
minimal and the submarine ready for the next phase.
2. The Gallery Building Project
. In 1993, after
eleven years of open air display at the Museum, it became apparent that
chloride sponsored corrosion was causing the rapid deterioration of the boat.
The Museum recognized that a sophisticated conservation package was needed if
the vessel was to be preserved for the long term. The soaking of the Holland
I took place between 1995 - 2000. The methodology of the process was well
established with respect to archaeological and marine artifacts, however the
treatment of an historic object the size of Holland I was a major
departure from what had gone before. A process typically carried out on the
laboratory workbench had to be literally scaled up thousands of times. Set out
below is some of the key features of the process:
(a) the submarine
was deemed to be too fragile to move or dismantle without risking further
damage, so a sophisticated purpose built GRP tank was constructed around the
boat.
(b) solution
circulation was recognized as essential to ensure the effective removal of as
much chloride as possible.
A tailor made
fluid distribution system was designed to circulate all 800,000 litres of
electrolyte around the submarine. This capillary system had to be kept free
flowing at all times, and on one occasion required the insertion of Royal Navy
divers into the tank to service it.
(c). The tank had
to be drained and re-filled with new solution on three occasions in order to
maximize the amount of chloride being removed. Active electrolysis and core
sampling were both used to measure progress within the tank, and after five
years of treatment residual levels of chloride were deemed minimal and the
submarine ready for the next phase.
3. Chloride
Extraction
4. Preparation
For Display
Working closely
with the Client the Conservator devised a specification for mechanical surface
preparation based on extensive test patches. Similarly the combination of wax sealers
and paints eventually used on the boat was the result of considerable testing.
All materials used were required as far as possible to be reversible with
minimum damage to the object. The Client was particularly concerned that if in
the future corrosion activity was identified, it could be treated without
having the need of aggressive treatments simply to remove whatever protective
coating had been applied. As a result up to 70% of accessible surfaces have
been coated with SHELL
ENSIS TX fluid in preference to paint. Not only is ENSIS TX relatively easy to remove,
but also, while providing protection against moisture and physical touch, it is
air permeable. However some surfaces both externally and internally have been
repainted. The areas chosen had to be in exceptional condition. The painting
was done in order to assist interpretation of the vessel to visitors. For
example internally operational submarines past and present are painted white so
as to maximize the working light. To wax the entire interior would have
resulted in an impression of the submarine very different from that which
prevailed during its period in commission.
5. Long Term Preservation
The gallery
building, its specification and features should be seen as integral to the
conservation of the object. As already stated above the long-term conservation
depends on the maintenance of a dry air environment. The building not only
delivers this environment but also provides first-rate access for visitors.
Ramping allows wheelchair access right up to the main visitor hatch into the
submarine. The visibility of the vessel for visitors inside the gallery is
superb and includes access into the submarine. The building’s enormous glass
window means that visitors can step back from the building and appreciate in
one panoramic view the lines of the submarine hull.
6. Project
Management
Financial and
commercial factors meant that the construction of the new gallery building had
to run in parallel with preparing the exhibit for display. Furthermore many
parts of the conservation treatment would not have been desirable once the new
building had enclosed the submarine. Establishing the best critical path for
carrying out the conservation work was a crucial part of the project management
process. The step-by-step preparation of the boat had to be fitted around the
dynamics of the building construction work.
This project
therefore necessitated an exceptional amount of co-operation between the
various parties in order that both building and submarine progressed according
to schedule.
By way of
illustration the conservator had to apply a first class uncontaminated paint
finish to a 63 feet long, 15 feet high object, while surrounded on all sides by
wet plasterers and commercial decorators. This project therefore necessitated
an exceptional amount of co-operation between the various parties in order that
both building and submarine progressed according to schedule. By way of
illustration the conservator had to apply a first class uncontaminated paint
finish to a 63 feet long, 15 feet high object, while surrounded on all sides by
wet plasterers and commercial decorators.
6. The wider
community
A paper detailing
the method of chloride extraction was given to the ICOM Metal Conservation
Conference in 1995. The project has proved of interest to a number of other
maritime conservation projects who have visited the site and discussed the
project with Museum staff and the consultants e.g. the CSS Hunley
submarine ( 1863) and the SS Great Britain.
7. Documentation
The project has
been fully documented from the outset and will be the subject of consolidated
reviews in the coming months (particularly with respect to the Museum’s
website.
8. Cost
Effectiveness
The time and
money invested in the active conservation treatments are cost effective to the
Museum because the overall sensitivity of the vessel to corrosion has been
greatly reduced. This in turn means that R/H levels within the new gallery can
be less dry, which means lower energy consumption by the dehumidification plant
and therefore less cost in maintaining Holland I’s conservation environment.
The above investment has also delivered far better access for visitors than
would have been likely had the Museum chosen only to pursue a preventative
environment strategy.